Archaic Period

Greece’s Archaic period lasted from 600 to 480 BCE, in which the Greek culture expanded. The population in Greece began to rise and the Greeks began to colonize along the coasts of the Mediterranean and the Black Sea. The poleis at this time were typically ruled by a single ruler who commanded the city by force.

For the city of Athens, this led to the creation of democracy. Several city-states emerged as major powers, including Athens, Sparta, Corinth, and Thebes. These poleis were often warring with each other, and formed coalitions to gain power and allies. The Persian invasion of Greece in 480 BCE marked the end of the Archaic period. During the Archaic Period, Delphi was an important cult site for Apollo and was home to many treasuries that housed the community’s offerings to the god.

This is a current-day photo of the Temple of Apollo. It shows the temple's foundations along with several Doric columns made of stone.
Temple of Apollo: Reconstructed Doric columns mark the east end (front) of the temple.

While Greek artisans continued to develop their individual crafts, storytelling ability, and more realistic portrayals of human figures throughout the Archaic Period, the city of Athens witnessed the rise and fall of tyrants and the introduction of democracy by the statesman Kleisthenes in the years 508 and 507 BCE.

King Menkaure (Mycerinus) and queen, 2490–2472 B.C.E., greywacke, 142.2 x 57.1 x 55.2 cm (Museum of Fine Arts, Boston, photo: Steven Zucker, CC BY-NC-SA 2.0)
King Menkaure (Mycerinus) and queen, 2490–2472 B.C.E., greywacke, 142.2 x 57.1 x 55.2 cm (Museum of Fine Arts, Boston, photo: Steven Zucker, CC BY-NC-SA 2.0)

Visually, the period is known for large-scale marble kouros (male youth) and kore (female youth) sculptures. Showing the influence of ancient Egyptian sculpture, the kouros stands rigidly with both arms extended at the side and one leg advanced. Frequently employed as grave markers, these sculptural types displayed unabashed nudity, highlighting their complicated hairstyles and abstracted musculature. The kore, on the other hand, was never nude. Not only was her form draped in layers of fabric, but she was also ornamented with jewelry and adorned with a crown. Though some have been discovered in funerary contexts, like Phrasiklea, a vast majority were found on the Acropolis in Athens. Ritualistically buried following desecration of this sanctuary by the Persians in 480 and 479 BCE, dozens of korai were unearthed alongside other dedicatory artifacts. While the identities of these figures have been hotly debated in recent times, most agree that they were originally intended as votive offerings to the goddess Athena.

Left: Anavysos Kouros, c. 530 B.C.E; right: Peplos Kore, c. 530 B.C.E.
Left: Anavysos Kouros, c. 530 B.C.E; right: Peplos Kore, c. 530 B.C.E.

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