The Persian Empire

Persia, centered around present-day Iran, was the site of a vast empire that existed in three general phases. The Achaemenids (550–330 BCE) established the first Persian Empire under Cyrus the Great, who quickly expanded the empire’s borders. Zoroastrianism, an ancient monotheistic religion, dominated the Persian Empire until Islam supplanted it in the seventh century CE. While the religion was unique, the art of the empire was largely syncretic, combining the styles of diverse conquered and neighboring peoples. The result was a new, unique Persian style.

Although the surviving literary sources on the Persian empire were written by ancient Greeks who were the sworn enemies of the Persians and highly contemptuous of them, the Persians were in fact quite tolerant and ruled a multi-ethnic empire. Persia was the first empire known to have acknowledged the different faiths, languages and political organizations of its subjects.

This tolerance for the cultures under Persian control carried over into administration. In the lands which they conquered, the Persians continued to use indigenous languages and administrative structures. For example, The Persians accepted hieroglyphic script written on papyrus in Egypt and traditional Babylonian record keeping in cuneiform in Mesopotamia. The Persians must have been very proud of this new approach to empire as can be seen in the representation of the many different peoples in the reliefs from Persepolis, a city founded by Darius the Great in the sixth century BCE.

Persepolis included a massive columned hall used for receptions by the Kings, called the Apadana. This hall contained 72 columns and two monumental stairways. The walls of the spaces and stairs leading up to the reception hall were carved with hundreds of figures, several of which illustrated subject peoples of various ethnicities, bringing tribute to the Persian king.

The Persian Empire was, famously, conquered by Alexander the Great. Alexander no doubt was impressed by the Persian system of absorbing and retaining local language and traditions as he imitated this system himself in the vast lands he won in battle. Indeed, Alexander made a point of burying the last Persian emperor, Darius III, in a lavish and respectful way in the royal tombs near Persepolis. This enabled Alexander to claim title to the Persian throne and legitimize his control over the greatest empire of the Ancient Near East.

Art of the Persian Empire

Metalworking

One artistic technique incorporated from other cultures involved the smithing and hammering of gold, possibly adopted from the Medes. The most common surviving metal objects are ceremonial drinking cups called rhyta made of gold and silver. Rhyta were used in prehistoric Aegean and Greek cultures, most notably the Mycenaeans in the sixteenth century BCE. The gold rhyton below, which bears a stylized ram’s head in relief, dates to the Achaemenid period.

Better known than ceremonial rhyta is the Oxus Treasure, a 180-piece trove of reliefs, figurines , jewelry, and coins made of gold and silver. The treasure is important because it demonstrates the variety of forms in which metal was worked during the early Persian Empire. The gold chariot below demonstrates the precision possible with small sculptures and includes a small votive based on the Egyptian god Bes.

The griffin-headed bracelet also found in the treasure was once inlaid with enamel and precious stones. Once thought to have originated with the ancient Egyptians, the manner of goldsmithing evident in the amulet was later found in Assyrian art. The style of the animals originated with the Scythians, who inhabited the Steppes of Russia.

Cyrus the Great

Persian art incorporated not only the styles of conquered peoples but also their languages. A large bas relief representing Cyrus the Great as a four-winged guardian figure proclaims his rank and ethnicity as an Achaemenidian in three languages. The stylized profile pose in which the king stands recalls the dominant Egyptian style of depicting the human body in art.

Cyrus is believed to have died in December 530 BCE and was interred in a tomb that further demonstrates the syncretism of Persian art. The load-bearing tomb, pyramidal-roofed, sits atop a geometric mound that resembles a stepped pyramid of Pre-Dynastic Egypt. Despite the razing of the original city centuries ago, the tomb remains largely intact.