The Pantheon

Hadrian’s Pantheon

Hadrian’s most famous contribution to the city of Rome was his rebuilding of the Pantheon, a temple to all the gods, that was first built by Agrippa during the reign of Augustus. Agrippa’s Pantheon burned down in the 80s CE, was rebuilt by Domitian, and burned down again in 110 CE.

Hadrian’s Pantheon still remains standing today, a great testament of Roman engineering and ingenuity. The Pantheon was consecrated as a church during the medieval period and was later used as a burial site.

This is an elevation drawing of the Pantheon. Elevation views show materials, texture profiles of the building, and heights of and between elements like windows and detailing.
Elevation drawing of the Pantheon: The Pantheon is an architectural innovation with a magnificent concrete, unreinforced dome.
This photo shows an exterior view of the Pantheon as it stands today. The building is circular with a portico of large granite Corinthian columns under a pediment.
Pantheon: Hadrian rebuilt the Pantheon of Agrippa in 118–125 CE.

The most unusual aspect of the Pantheon is its magnificent coffered dome, which was originally gilded in bronze. The concrete dome, which provided inspiration to numerous Renaissance and Neoclassical architects, spans over 142 feet and remains the largest unreinforced dome today. It stands due to a series of relieving arches and because the supportive base of the building is nearly twenty feet thick.

The cylindrical drum on which the dome rests consists of hollowed-out brick filled with concrete for extra reinforcement. At the center of the dome is a large oculus that lets in light, fresh air, and even rain. Both the oculus and the coffered ceiling lighten the weight of the dome, allowing it to stand without additional supports.

The Pantheon takes its shape from Greek circular temples; however, it is faced by a Roman rectangular portico and a triangular pediment supported by monolithic granite columns imported from Egypt. The portico, which originally included a flight of stairs to a podium, acts as a visual trick, preparing viewers to enter a typical rectangular temple when they would instead be walking into a circular one.

A dedicatory inscription is carved in the entablature under the pediment. The inscription reads as the original inscription would have read when the Pantheon was first built by Agrippa. Hadrian’s decision to use the original inscription links him to the original imperial builders of Rome.

Dr. Beth Harris and Dr. Steven Zucker provide a description, historical perspective, and analysis of The Pantheon in Rome.

The Pantheon, Rome, c. 125

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